North Mayo Landscape in Watercolor and Watercolor Monotype.
The magnificent Mayo landscape is the focus of this watermedia-based workshop. We will paint locally outdoors and make watercolor monotypes indoors.
Watercolor is the art of visualizing colored light and manipulating water and gravity; it is a balancing act between spontaneity and control. We will cover the fundamental aspects of working with watercolor through demonstrations and exercises. Individual attention and group discussions will enhance the participant’s personal response to the medium.
Watercolor monotype combines the translucence and flowing marks of watercolor with the surprises
and freshness of printmaking. Explore these aspects of this water-based medium and more as you print with watercolor on plexiglass for an exciting combination of luminosity and complex color layering. Watercolor monotypes are just like other monotypes in as much as they produce single, unique images. However, the image is made with watercolors painted on plexiglass. The artist can manipulate wet pigment washes, wipe them away, use stencils etc. during the drawing process. We will make "one-pass" through the press prints, ghost prints and multi-layered images.
The cost of this workshop is $2,000 which includes tuition, shared cottage with private bedroom for 10 nights, lunch/dinner/dessert/tea/coffee, collection/dropoff to the bus/train stations in Ballina, full use of the Dolan/Maxwell library and facilities 24/7. Participants arrive on the 26th March and depart on the 5th of April (The workshop is for eight days with arrival and departure day making it ten days).
Jane Goldman was born in Dallas, Texas and received her B.A. degree from Smith College and M.F.A. from the University of Wisconsin. She is co-director of Mixit Print Studio in Somerville, Massachusetts, where she lives. She has taught at Massachusetts College of Art, the University of California at Los Angeles, Rice University in Houston, and the University of Hartford. She has been a visiting artist at many institutions, including Harvard University, the University of Wisconsin, Smith College, Wellesley College, and the University of Dallas.
Goldman is a painter, printmaker, and public artist. She has designed three public art installations for the Massachusetts Port Authority at Logan Airport: Atlantic Journey, (a 35,000 sq. ft terrazzo floor), 1999; The Abyss, (a 27,000 sq. ft. terrazzo floor), in 2002; and Ocean Creatures in 2005. She has also designed in terrazzo for the Kennedy Plaza Transit Center in Providence, RI, 2002; and a sidewalk installation for the City of Cambridge, Massachusetts, 2001. Her most recent installation is Mariposas y Una Serpiente, a ceramic tile mosaic floor for the Aeroporto de Punta Islita, Guanacaste, Costa Rica, 2005, which was commissioned by the Open Air Contemporary Art Museum.
Since 1975, Goldman's work has been exhibited widely in the United States and abroad. She has received grants from the Massachusetts Council on the Arts, MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. She has also received residency fellowships from the Ballinglen Arts Foundation in Ireland, the Oberpfalzer Kunstlerhaus in Germany, and the Cite des Arts in Paris. Her work is included in the permanent collection of the Peabody-Essex Museum, the Bibliotheque Nationale in Paris, the Brooklyn Museum, the Boston Museum of Fine Arts, the Fogg Art Museum, the Cleveland Museum of Art, the Detroit Institute of Arts, the Library of Congress and many other public and private collections.
A nationally recognized printmaker, Goldman has made prints at the invitation of Tandem Press at the University of Wisconsin, the Graphics Workshop at Smith College, the University of Hartford, the University of Dallas, Peregrine Press in Dallas, Stewart & Stewart Publishers in Bloomfield Hills, MI, and Littleton Press in North Carolina. She has collaborated on an artist’s book with Dieu Donne Paper in New York City, designed book jackets for Godine Publishers in Boston, and collaborated with the Boston Public Library on Proof in Print: A Community of Printmakers, 2001.
Goldman was the Chair from 2003-9 of the Saint Botolph Club Foundation, a non-profit organization that gives grants to emerging artists; and to distinguished artists who have made a significant contribution to the arts.
www.janegoldmanart.com
To check availability for this workshop please complete and submit the form below.
The magnificent Mayo landscape is the focus of this watermedia-based workshop. We will paint locally outdoors and make watercolor monotypes indoors.
Watercolor is the art of visualizing colored light and manipulating water and gravity; it is a balancing act between spontaneity and control. We will cover the fundamental aspects of working with watercolor through demonstrations and exercises. Individual attention and group discussions will enhance the participant’s personal response to the medium.
Watercolor monotype combines the translucence and flowing marks of watercolor with the surprises
and freshness of printmaking. Explore these aspects of this water-based medium and more as you print with watercolor on plexiglass for an exciting combination of luminosity and complex color layering. Watercolor monotypes are just like other monotypes in as much as they produce single, unique images. However, the image is made with watercolors painted on plexiglass. The artist can manipulate wet pigment washes, wipe them away, use stencils etc. during the drawing process. We will make "one-pass" through the press prints, ghost prints and multi-layered images.
The cost of this workshop is $2,000 which includes tuition, shared cottage with private bedroom for 10 nights, lunch/dinner/dessert/tea/coffee, collection/dropoff to the bus/train stations in Ballina, full use of the Dolan/Maxwell library and facilities 24/7. Participants arrive on the 26th March and depart on the 5th of April (The workshop is for eight days with arrival and departure day making it ten days).
Jane Goldman was born in Dallas, Texas and received her B.A. degree from Smith College and M.F.A. from the University of Wisconsin. She is co-director of Mixit Print Studio in Somerville, Massachusetts, where she lives. She has taught at Massachusetts College of Art, the University of California at Los Angeles, Rice University in Houston, and the University of Hartford. She has been a visiting artist at many institutions, including Harvard University, the University of Wisconsin, Smith College, Wellesley College, and the University of Dallas.
Goldman is a painter, printmaker, and public artist. She has designed three public art installations for the Massachusetts Port Authority at Logan Airport: Atlantic Journey, (a 35,000 sq. ft terrazzo floor), 1999; The Abyss, (a 27,000 sq. ft. terrazzo floor), in 2002; and Ocean Creatures in 2005. She has also designed in terrazzo for the Kennedy Plaza Transit Center in Providence, RI, 2002; and a sidewalk installation for the City of Cambridge, Massachusetts, 2001. Her most recent installation is Mariposas y Una Serpiente, a ceramic tile mosaic floor for the Aeroporto de Punta Islita, Guanacaste, Costa Rica, 2005, which was commissioned by the Open Air Contemporary Art Museum.
Since 1975, Goldman's work has been exhibited widely in the United States and abroad. She has received grants from the Massachusetts Council on the Arts, MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. She has also received residency fellowships from the Ballinglen Arts Foundation in Ireland, the Oberpfalzer Kunstlerhaus in Germany, and the Cite des Arts in Paris. Her work is included in the permanent collection of the Peabody-Essex Museum, the Bibliotheque Nationale in Paris, the Brooklyn Museum, the Boston Museum of Fine Arts, the Fogg Art Museum, the Cleveland Museum of Art, the Detroit Institute of Arts, the Library of Congress and many other public and private collections.
A nationally recognized printmaker, Goldman has made prints at the invitation of Tandem Press at the University of Wisconsin, the Graphics Workshop at Smith College, the University of Hartford, the University of Dallas, Peregrine Press in Dallas, Stewart & Stewart Publishers in Bloomfield Hills, MI, and Littleton Press in North Carolina. She has collaborated on an artist’s book with Dieu Donne Paper in New York City, designed book jackets for Godine Publishers in Boston, and collaborated with the Boston Public Library on Proof in Print: A Community of Printmakers, 2001.
Goldman was the Chair from 2003-9 of the Saint Botolph Club Foundation, a non-profit organization that gives grants to emerging artists; and to distinguished artists who have made a significant contribution to the arts.
www.janegoldmanart.com
To check availability for this workshop please complete and submit the form below.
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Ballinglen: USA/Ireland Workshop @ The Ballinglen Arts Foundation
North Mayo Landscape in Watercolor & Watercolor Monotype with Jane Goldman, 26th March - 5th April 2022 Class from 27th - 4th April 2022 TOTAL $2,000 Registration is open from now, booking forms must be received by Monday, 31st January 2022 . First come, first serve basis.
A $500 booking fee applies and is non refundable payable by cheque or credit card. Final payment must be made before the 31st March 2022, please email for details re payment, booking forms will be accepted online. A small fee will apply for materials provided. We will email you a receipt once we receive a payment or booking. Payments are non-refundable 2 months prior to the class. Class participation constitutes an agreement to our Health and Safety Policy. Accommodation available from 26th with departure on the 5th. Collection at train/bus in Ballina is also included. Please contact Jane Goldman with any questions on the class directly on email janeegoldman@comcast.net. All other queries : Úna Forde, Managing Director, The Ballinglen Arts Foundation, Main Street, Ballycastle, Co Mayo, Ireland. T : +353 (0) 96 43184, E : ballinglenarts@gmail.com, unaforde.baf@gmail.com http://www.ballinglenartsfoundation.org/ http://www.facebook.com/ BallinglenArtsFoundation |